Masterclass from 1987, with Gyorgy Sebok at Koninklijk Conservatorium ‘s Gravenhage split into 6 videos
What is the difference between feeling the story and being the story ?
How can you play two voices even though it isn’t obvious written like that?
Do you move by choice when playing?
Have you ever tried experimenting with body/head movement with the purpose of finding the expression in music?
Try experimenting with the length of the dotted note so it fits the expression you want
The upbeat is always a part of the next tempo
When you are playing fast and/or difficult passages it shouldn’t look difficult.
Use the flexibility of your arms and hands help your fingers in the fast places, instead of stopping the music and the flow by playing just with your fingers